That's the Folks that Sell White Dirt

In this work, Brejenn Allen documents a distinctly Southern scene: figures gathered beneath the canopy of a former gas station and deli, selling “white dirt”—a clay consumed within parts of the African American Southern community for its mineral properties or as an expression of pica. What may feel unfamiliar to some viewers is rendered here without spectacle, instead situated within the everyday rhythm of roadside commerce.

Through textured acrylic and restrained composition, Allen frames the moment as both a cultural archive and a portrait of resilience. The repurposed canopy, the handwritten sign, and the stillness of the figures speak to adaptation, resourcefulness, and inherited tradition. As with much of her work, the painting honors what is often overlooked—revealing a localized practice as part of a broader narrative of Southern ingenuity, survival, and community memory.